The latest installment in Stephen Dobyns's Charlie Bradshaw mysteries, Saratoga Payback follows the latest exploits of Saratoga Springs' most unusual and sardonic detective.
Ever since the cops revoked his private investigator's license, Charlie Bradshaw has been adjusting to life as a regular senior citizen. But reading, sitting around the house, and making amateur home repairs is a far cry from his past life as Saratoga Springs' most successful everyman detective.
So when Charlie discovers the sprawled corpse of Saratoga Springs' biggest nuisance on his sidewalk, the ex-P.I. is torn. Should he risk asking questions of his own, knowing he could easily be prosecuted for doing P.I. work without a license? Or should he avoid the trouble and spend his twilight years in peace? Well, the case was practically delivered to his doorstep...
Saratoga Payback, the latest installment in Stephen Dobyns's critically praised Charlie Bradshaw Mysteries, follows Charlie as he toes the line between concerned private citizen and practiced private eye. As he begins to look into the murder of the town pest, Charlie also finds himself entangled in problem that is purely Saratogian--a mission to rescue an old acquaintance's kidnapped horse. Wry, entertaining, and adroitly written, Saratoga Payback is an immensely satisfying addition to Dobyns's popular mystery series.
#FirstLine ~ Mickey Martin had what an acquaintance called "urinous" breath: a potent alkaloid whiff mixed with eh aroma of rotting meat, which caused those whom he had snared in conversation to stumble back in search of relief.
Dobyns was raised in New Jersey, Michigan, Virginia, and Pennsylvania. He was educated at Shimer College, graduated from Wayne State University, and received an MFA from the Iowa Writers' Workshop at the University of Iowa in 1967. He has worked as a reporter for the Detroit News.
He has taught at various academic institutions, including Sarah Lawrence College, the Warren Wilson College MFA Program for Writers, the University of Iowa, Syracuse University, and Boston University.
In much of his poetry and some works of non-genre fiction, Dobyns employs extended tropes, using the ridiculous and the absurd as vehicles to introduce more profound meditations on life, love, and art. He shies neither from the low nor from the sublime, and all in a straightforward narrative voice of reason. His journalistic training has strongly informed this voice.
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